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His brilliant drawings make him a leader in the school of German expressionism, but from 1933 he and his work disappeared into oblivion so far as the majority of Germans were concerned, since his paintings were among those condemned in the Nazi dictator Hitler's exhibition Entartete Kunst (Degenerate Art). Even in the late 1920s, long before Hitler had come to power, Grosz's Ecce Homo, showing Christ on the Cross wearing a gas mask and army boots, brought him to court on a charge of blasphemy. He is also associated with the Neue Sachlichkeit (new objectivity) movement.
Although often coloured yellow, the island is intended to be copper, reflecting the country's name, ‘Copper Island’. Effective date: c. September 1960.
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