Hopper, Edward

Click a letter for the index

Or search the encyclopaedia:

 

 

Go

 

US painter, printer, and illustrator. One of the foremost American realists, and the most famous exponent of New Realism in the 20th century, he is often associated with American Scene painting. His views of New York City and New England in the 1930s and 1940s, painted in rich colours with stark light, convey a brooding sense of emptiness and solitude. Through his use of light, planes of colour, and large angles, verticals, and horizontals, Hopper was able to capture both a moment in time and the inner world of individuals occupying a particular space, as in Nighthawks (1942; Art Institute, Chicago).

Born in Nyack, New York, Hopper studied illustration at the Commercial Art School, New York 1899–1900, and painting at the New York School of Art 1901–06, where his teacher Robert Henri, a member of the Ashcan School, was an important influence.

He visited Europe several times between 1906 and 1910. While he remained untouched by avant-garde development, the influence of European art made a major impact on his use of light – one of the most distinguishing elements of his work. He was also influenced by the work of the French satirical cartoonist Honore Daumier and the Spanish painter Francisco de Goya. Although Hopper spent his summers on the New England coast, painting lighthouses, seascapes, and villages, he devoted himself primarily to painting the urban background of American life. Bars, railroad tracks, isolated people, and street scenes, such as Early Sunday Morning (1930; Whitney Museum of American Art, New York), are constants in Hopper's paintings. His style, though highly individual, drew on the strong tradition of realism.

Green stands for agriculture. Red recalls the struggle for independence. White denotes peace. Yellow symbolizes mineral wealth. Effective date: April 1983. >>