Skip to page content |

Tiscali Quicklinks. Please visit our Accessibility Page for a list of the Access Keys you can use to find your way around the site, skip directly to the main navigation, to the page content, or to more links within reference.

Advertisement starts



Advertisement ends

Content Starts Here


abstract art

encyclopaedia header
Encyclopaedia Search
Click a letter for the index
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Or search the encyclopaedia:
 
 
 
all results tagged with the © symbol denotes content that is relevant to the national curriculum

Abstract Art


Nonrepresentational art. Ornamental art without figurative representation occurs in most cultures. The modern abstract movement in sculpture and painting emerged in Europe and North America between 1910 and 1920. Two approaches produce different abstract styles: images that have been ‘abstracted’ from nature to the point where they no longer reflect a conventional reality, and nonobjective, or ‘pure’, art forms, without any reference to reality.

History
Abstract art began in the avant-garde movements of the late 19th century – Impressionism, neo-Impressionism, and post-Impressionism. These styles of painting reduced the importance of the original subject matter and began to emphasize the creative process of painting itself. In the first decade of the 20th century, some painters in Europe began to abandon the established Western conventions of imitating nature and of storytelling and developed a new artistic form and expression.

Abstract artists
Vasily Kandinsky is generally regarded as the first abstract artist. From 1910 to 1914 he worked on two series, Improvisations and Compositions, in which he moved gradually towards total abstraction. His highly coloured canvases influenced many younger European artists. In France around 1907, the cubists Pablo Picasso and Georges Braque also developed a semi-abstract style; their pictures, some partly collage, were composed mainly of fragmented natural images. By 1912 Robert Delaunay had pushed cubism to complete abstraction.

Many variations of abstract art developed in Europe and Russia, as shown in the work of Piet Mondrian, Kasimir Malevich, the Futurists, the Vorticists, and the Dadaists. Sculptors were inspired by the new freedom in form and content, and Constantin Brancusi's versions of The Kiss (1907–12) are among the earliest semi-abstract sculptures. Cubist-inspired sculptors such as Raymond Duchamp-Villon and Jacques Lipchitz moved further towards abstraction, as did the Dadaist Hans Arp.

US art
Two exhibitions of European art, one in New York in 1913 (the Armory Show), the other in San Francisco in 1917, opened the way for abstraction in US art. Many painters, including the young Georgia O'Keeffe, experimented with new styles. Morgan Russell and Stanton Macdonald-Wright invented their own abstract style, Synchromism, a rival to Orphism, a similar style developed in France by Delaunay. Both movements emphasized colour over form.

Later developments
Abstract art has dominated Western art from 1920 and has continued to produce many variations. In the 1940s it gained renewed vigour in the works of the abstract expressionists, and in the 1950s minimal art developed as a more impersonal, simplified style of abstraction.

© Research Machines plc 2008. All rights reserved. Helicon Publishing is a division of Research Machines plc.


 
 

Advertisement starts



Advertisement ends


Advertisement starts



Advertisement ends

Page Footer


Access keys


You will need to use different key combinations in order to use access keys depending on your internet browser, find out which on our accessibility page.
  • (0) Navigate to Accessibility page.
  • (1) Navigate to Home page.
  • (2) Navigate to My email.
  • (3) Navigate to My Account.
  • (4) Navigate to Site Map page.
  • (5) Navigate to Contact us page.
  • (6) Navigate to Members channel.
  • (7) Navigate to Services channel.
  • (8) Navigate to News & Info channel.
  • (9) Navigate to Entertainment channel.
  • ([) Skip down to the Primary navigation block.
  • (]) Skip down to the more links within this section block.
  • (=) Bypass all navigation and jump to the content.