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He studied at Munich, and after travel to Italy and Paris was influenced by post-Impressionist art, applying its lessons of colour and design to animal painting and in particular a series of horses. Acquaintance with Kandinsky and Macke in 1910 led to his adopting their free use of brilliant colour, and in 1912 a meeting with Delaunay in Paris added a cubist influence, as in his Roes in the Wood (191314; Karlsruhe). His animals were subjective and symbolic creations rather than studies of nature and in this sense he was an expressionist. The trend of his development, cut short by war, was towards abstraction.
The crown emblem was modernized in 1982. The colours date back to the 18th century. Effective date: 18 September 1982.
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